Luca Lévi Sala is Professeur associé at the Université de Montréal. He has been Visiting Researcher at New York University in 2017 and Visiting Research Fellow at Yale University in 2015-2016. A graduate in musicology from the University of Pavia (Italy), he was awarded two scholarships at the Jagiellonian University of Kraków (Poland) and he gained a Ph.D. in Musicology at Poitiers University (France). Founding co-editor of the Journal Ad Parnassum. A Journal on Eighteenth- and Nineteenth-Century Instrumental Music (Ut Orpheus), he is currently on the Board of the Scholarly Committees of the Italian National Edition of Muzio Clementi’s Complete Works and Italian National Edition of Luigi Boccherini’s Complete Works. He is General Editor of the musicological series Ad Parnassum Studies (Ut Orpheus), Editor-in-Chief of the Journal of Music Criticism (www.music-criticism.com) and General Editor of the series Music, Criticism & Politics (Brepols). He has published a range of writings, reviews and reports (serving as peer-reviewer as well) in various international books and refereed journals, including Journal of Musicological Research, Notes, Revue de musicologie, Studi Musicali, Journal of Jewish Identities, Rivista Italiana di Musicologia, Ad Parnassum Journal, Eighteenth-Century Music, Analecta Musicologica, Oxford Bibliographies Online, MGG, Grove Music Online and Nineteenth-Century Music Review (CUP, forthcoming). Together with Rohan H. Stewart-MacDonald, he has recently published the book Muzio Clementi and British Musical Culture: Sources, Performance Practice and Style (New York, Routledge, 2019) and the critical edition of Clementi’s “Viennese” Sonatas Opp. 7-10 (Bologna, Ut Orpheus, 2018). He is presently preparing the new Thematic Catalogue with updated Bibliography for Each Work, Documents and Iconography relevant to Muzio Clementi’s Life (Italian National Edition of Muzio Clementi’s Complete Works XV).