Massimiliano Sala

A graduate in musicology from the University of Pavia (Italy), with a DMA in piano, Massimiliano Sala is on the Board of the Scholarly Committees of the Italian National Edition of Muzio Clementi’s Complete Works and Italian National Edition of Luigi Boccherini’s Complete Works. In addition he is Secretary-Treasurer of the Italian National Edition of Pietro Antonio Locatelli’s Complete Works. He is also a founder of Ad Parnassum. A Journal on Eighteenth- and Nineteenth-Century Instrumental Music (Ut Orpheus Edizioni) and on the editorial committee of the series Boccherini Studies and Quaderni Clementiani. His publications include articles on eighteenth- to twentieth-centuries music, such as ‘Giovanni Battista Viotti’s Quartets from Paris to London’ (Poznań 2006), ‘New Evidence on Dussek’s Life and Works. Unpublished Correspondence and Concert Advertisements’ (Bologna 2012), ‘Compositori e funzionari. Una riflessione sulla politica fascista del consenso’ (Kassel 2012), ‘The Politic of Spectacle: Italian Music and Fascist Propaganda’ (Belgrade, 2012), ‘Italian Music and Racial Discourses during the Fascist Period’ (CUP 2007). He has contributed articles for Die Musik in Geschichte und Gegenwart 2. He is contributing the articles on ‘Jan Ladislav Dussek’, ‘Giovanni Battista Viotti’ and ‘Ildebrando Pizzetti’ for «Oxford Bibliographies Online» (OUP).

Contacts

Phone: +39 3317597389

info@music-criticism.com

JMC Volume 2 (2018)